Tough Cookie gbcm-9 Page 3

  Actually, I didn’t want champagne or schnapps. I wanted coffee. I cared not a whit about the admonition that caffeine constricts skiers’ cells and lowers their body temperature. If I wanted to be awake to cook at the top and raise money as well, I desperately needed several shots of the good stuff.

  Luckily, I knew there would be one place open at this hour. My spirits rose as I schlepped my load down the short, charming avenue. Storefronts twinkling with thousands of holiday lights made Aspen Meadow’s Main Street, fifty miles away, look as stark as a Shaker living room. In several hours, these brightly festooned boutiques would become a hive of commercial activity. I wouldn’t be trucking in high-priced commerce, but never mind.

  I sniffed the scent of the dark, fragrant brew even as I rejoiced at the Open sign dangling from the door of Cinda’s Cinnamon Stop. I dropped my equipment near the covered decking that ran by the shops and clopped up the wooden steps.

  “Hey, Goldy!” bellowed Cinda Caldwell from her steamy walk-up window. Cinda’s hair, dyed in a range of pink hues from cotton-candy to scarlet, was luminous behind the swirl of fat white flakes. “Come in, come in, I need to talk to you about something!”

  I’d come to know Cinda—tall, athletic, endlessly enthusiastic and energetic—during my stint with the program. “You look worse than usual!” she cried cheerfully. “You’re still doing your show?”

  “Yes, but I need your coffee to transform me into a chipper TV personality. Make that a warm, chipper TV personality.”

  She guffawed. “Want three or four shots? Need a pastry with your espresso? On the house! C’mon!” she hollered impatiently. “There’s something I really need to tell you!”

  “Okay, okay, triple shot, thanks,” I called back dutifully. “And I’d love a cinnamon roll.” I congratulated myself on being too early to appear at the bistro. What else could I do while I waited for Arthur’s crew to finish setting up, but indulge in free treats at Cinda’s?

  I stuck my head into the warmth of her shop. The Cinnamon Stop boasted a short counter and eight round wooden tables plastered with snowboard stickers. A higgledy-piggledy assortment of plastic and wooden chairs bunched around and between the tables. The huge screen that showed snowboarding videos during working hours was dark. Cinda, who had gained unexpected renown as one of the first female snowboarders in the state, whisked back and forth in her minuscule working space. She wore a bright yellow turtleneck and purple ski pants. A fluorescent purple-and-yellow headband held her tangle of pink hair in place. On the wall behind her, a poster of a snowboarder catching air vied with old-fashioned Christmas bulb lights strung around a fluorescent Burton snowboard. The board hung at an angle beside a row of Cinda’s freestyle trophies. “Almost there!” she promised me. She was so upbeat, you’d never know she’d blown out her knees several years ago on the Killdeer half-pipe—that long, snow-covered half-cylinder favored by boarders—and hadn’t touched a board since.

  “Drink.” Cinda thrust a paper cup of steaming dark liquid at me, then a paper plate topped with a twirled roll glazed with cinnamon sugar. “Listen, before I get into the serious stuff, I have to ask you something.” Her brown eyes, set in an elfin, freckled face, sparkled. “Do I hafta use Grand Marnier in your chocolate truffles? I’ve got some bargain brandy left over and was hoping I could substitute.” She gave me an open-mouthed smile.

  I took a healthful swig of caffeine and wondered if you could chug an espresso, slam down a roll, lie politely, and still get the heartwarming effects of caffeine and sugar. Probably not. “The truffles will turn out better if you use high-quality liqueur. Cognac yes, brandy no.”

  She surprised me by leaning in close. She smelled like vanilla. “How about this question, then. Didn’t I read in the paper that you’re married to a cop? He works for the Furman County Sheriff’s Department?”

  “Yes. He does.” Crime alert. Regardless of what the thermometer said, my mind was not so frozen that it didn’t recognize the coffee, the roll, and the truffle question as an introduction to something else altogether. I gave her an innocent look. “You need help?”

  She fiddled with the psychedelic headband. “It’s probably nothing. But a guy came into the shop a few nights ago, plastered, wanting coffee. My waiter, Davey, gave him some Kona. I used to know the drunk guy. Name’s Barton Reed. He was a snowboarder until he got into some kind of trouble and had to go away for a while. He’s a big-bruiser type with about twenty earrings in each ear, all little crosses and saints’ medals. Not that he’s religious—I heard he gave up that a long time ago. Anyway, Barton boasted that he’d gotten hold of a poison that could kill you if you just touched it.”

  I pondered the espresso in my cup before answering: “Did he say he was going to use it?”

  “He said he’d put patches of the poison in a letter, if you can believe that. You open the letter, you’re dead.”

  “Did he show the letter to Davey?”

  She paused and looked cautiously around the empty shop. “No. Here’s the bad part, Goldy. Barton said he was going to deliver this poison-in-a-letter soon. To a cop.”

  My skin prickled. I heard my tone sharpen as questions tumbled out. “Do you know where this Barton guy lives? Did you report what he said?” She shook her head. “How about the cop? Did you get his name?”

  Cinda picked up a rag and wiped the counter beside my half-full coffee cup. “Nah, I figured it was a hoax. So did Davey. Plus, who’m I going to report it to? Ski patrol? Forest Service? I couldn’t imagine the Sheriff’s department traveling way over here, to the edge of the county, to hear about some drunk who claims he’s going to send a poisoned Christmas card to a cop.” She shrugged. “So I figured if you came by for coffee today, I’d tell you about it. See what you thought.”

  It was getting on to seven o’clock. Still, this was very worrisome and I had to call Tom. Unfortunately, I’d left my cell phone in the van. I asked Cinda for her phone; she hoisted one to the counter. Quickly, I pressed the button for a Denver line and dialed first our home number, then our business line. Tom must have left early: Both calls netted answering machines. I pressed buttons for his Sheriff’s department line and left a voice-mail asking Tom to call Cinda Caldwell about a threat to a policeman. Hanging up, I rummaged through my backpack full of culinary tools, pulled out my dog-eared wallet, and extracted one of Tom’s cards. “Call this number in thirty minutes, Cinda. Tell Tom everything you told me. Thirty minutes. Promise?”

  She looked at me uncertainly. She took the card and fingered it cautiously, and I could imagine her telling Tom, Goldy told me to call you, it’s probably nothing, but she figured it might be kinda important—

  I put my mittens back on. “Need to hop. They’re doing our show live today. It’s a fund-raiser dedicated to Nate Bullock, remember him?”

  Still staring at the card, she nodded her rainbow-pink head. “Sure. The TV tracker dude.”

  “I’m doing Mexican egg rolls. Crab cakes. Ginger-snaps.”

  Now she looked at me, perplexed. “I’ll try to catch it. But you know my customers would rather see an extreme ski video than a cooking show.” She shrugged.

  I finished the roll—flaky, buttery, and spicy-sweet—polished off the coffee in two greedy swallows, and thanked her again.

  When I ducked out of the warm shop, another fiercely cold wind struck me broadside. I struggled past the brilliantly lit facade of the Killdeer Art Gallery. In the Christmas-plaid-draped front window, black-and-white photos of backlit snowboarders making daring leaps off cliffs vied with garish, romantic oils of Native Americans beside tipis. A third of the window was devoted to watercolors of mountain villas. Just visible behind these were collages made up of images of ski equipment. When Coloradans enthused over Western Art, they weren’t talking about Michelangelo.

  The last shop on the row was Furs for the Famous. Ah, fame. Fame was much desired by the hoi polloi, much despised by celebrities, much avoided by the infamous. As I clomped back down the steps toward
the gondola, fueled by Cinda’s rich coffee, I reflected that I had no use for fame. Doing a gourmet cooking show had spawned neither gourmet cooks nor ardent fans. But complainers—who wrote and called and stopped me in the grocery store to ask if they could substitute margarine for butter, powdery dried muck for fresh imported Parmesan, and blocks of generic je-ne-sais-quoi for expensive dark chocolate—these I had in abundance. Tom had given me an early Christmas present: a T-shirt silk-screened with: DON’T ASK. DON’T SUBSTITUTE.

  And speaking of Tom, being married to a police investigator had also brought me recognition, as Cinda’s question demonstrated. Sometimes I felt like the pastor’s wife who is told of incest in a church family. Nobody wants to bother the pastor with it, right? Somebody’s sending a poisoned letter to a cop? Don’t bother the cop! Let Goldy handle it.

  I walked down the snowpacked path and tramped across an arched footbridge. Four feet below, Killdeer Creek gurgled beneath its mantle of ice. Christmas and the promise of more snow would soon bring an onslaught of skiers. I trudged onward resolutely, not wanting to think about the holiday, and all the parties I would miss catering.

  Sell the old skis. Get the new drains, I told myself. Develop the personal chef sideline, then reopen your business. And quit worrying!

  I clambered up the ice-packed pathway to the clanking gondola. The car manager, his hair swathed in an orange jester cap, his face spiderwebbed from a decade of sun, stopped a car for me. I heaved my backpack and poles into the six-seater while the car manager whistled an off-tune Christmas carol and clanked my skis into the car’s outside rack. The car whisked away.

  Up, up, up I zoomed toward the bistro. Even though snow continued to fall, the sky had brightened to the color of polished aluminum. The muffled grinding of the cable was the only sound as the car rolled past snow-frosted treetops and empty, pristinely white runs. This early, an hour and a half before the runs officially opened, I was alone on the lift. Our small studio audience usually rode up at quarter to eight. Early-bird skiers who couldn’t brave the cold would still be guzzling cocoa at Cinda’s or the Karaoke Café. Or they could be poring over maps of Killdeer’s back bowls, those steep, ungroomed deep-snow areas braved by only the hardiest of skiers. Or maybe they would be having their bindings checked at the repair shop, or just staring out at the snow-covered mountains. In other words, they could be anticipating real fun.

  I shifted on the cold vinyl seat and peered downward. Below the new blanket of flakes, groomed, nub-bled snow had frozen into ridged rows. The grooming was left to the snowcats, those tractor tanks that churned and smoothed the white stuff after-hours. By the time I skied down at nine, I knew, the new powder would be lumped into symmetrical rows of moguls: hard, tentlike humps of snow arrayed across the hill like an obstacle course. As much as I loved skiing, and I did, this might or might not be fun.

  Halfway to the top, the car stopped. This happened occasionally, when children failed to make the hop onto the seats and their parents went nova. But it shouldn’t be happening now. I glanced back at the base; the gondola station was out of sight. A sudden wind made the cable car swing. I shivered and looked down at the runs. How far down were they, anyway?

  Think about something else, Goldy. What you’re doing later. Selling Tom’s skis. I tightened my grip on the cold bars and took my mind off the distance to the ground.

  Tom’s skis, I reminded myself. Yes. The buyer was Doug Portman. Not exactly a happy thing to think about, but never mind.

  Doug Portman was a social-climbing accountant who had somehow become a rather large cog in our state political machine. Dressed in dapper seersucker or corduroy, he was always a hobnobbing presence at law enforcement picnics and other events. I didn’t know what he did to earn his living now, and didn’t want to know. The only thing I knew was that he had married for money and could now indulge in his collecting hobby. Still, I felt guilty about selling him Tom’s skis, since I had not told Tom to whom I was selling them. You didn’t exactly say, Uh, honey? I’m selling one of your most prized possessions to a guy I used to date … oh yes, I still have his number….

  Outside, the snowflakes whirled and thickened. My face was numb with cold. I briefly released my death-grip on the metal bars to tighten my hood. The time before Christmas should be full of laughter, parties, shopping, decorating, baking, family gatherings. So why was I dealing with the loss of my beloved business, a live television fund-raiser for a kind, outdoorsy fellow who’d died in an avalanche, and—as of twenty minutes ago—a crazy earring-studded guy sending poisoned love notes to a cop? Not to mention the sale of a valuable collectible item, more or less under the table, to a man I’d vowed never to see again?

  But I was seeing him again. So much for never.

  CHAPTER 3

  The gondola inexplicably started again and I sighed with relief. At the top, I popped through the doors, shouldered my skis and pack, and headed onto the mountain’s flat peak. A bitter wind blew me into the snow before I could don my skis. I gasped as my body hit the hard-pack and pain exploded up my knees. Poor Cinda, I thought as a red-clad ski patrol member gently helped me up. When she wrecked her knees, had it hurt as much as this?

  “You all right?” the tanned patrolwoman asked, her voice tight with concern. “Need help getting to the show?”

  “No, thanks. I’m fine.” I struggled to my feet, slung on the backpack, then conscientiously slotted my boots into my skis. Eventually, today’s show will be over, I consoled myself as I reached for my poles.

  I skied cautiously to the racks by the Summit Bistro. The restaurant occupied the eastern third of an enormous blond-log edifice known as the Chapparal Lodge. Snuggled within a stand of pine trees, surrounded by a wide apron of log decking, the lodge housed the bistro, the kitchen, a cafeteria, and mountaintop ski patrol headquarters. The lower level contained a storage area, rest rooms, and pay phones. I racked my skis and reflected that until a few moments ago, I’d had no dealings with the patrol, who were summoned if you had a crisis on the slopes. Patrol members, expert skiers who wore red uniforms emblazoned with white crosses, brought injured skiers down on sleds, closed dangerous runs, and yanked lift tickets from reckless skiers and snowboarders. Apparently, they also felt they should pluck a mid-thirtyish woman to her feet when she did a face-plant in the snow.

  I sighed and surveyed the sprawling lodge, where I now prayed someone had thought to start a coffeemaker.

  The bistro’s heavy wooden door was locked. Banging on it hurt my frozen knuckles and produced no response. Blackout curtains covered the windows. The crew’s bustle inside must have muffled my knocking. Then again, maybe they hadn’t made it up the back road. This was not something I wanted to contemplate.

  How was I supposed to get in? Eileen had told me that the rear part of the lodge’s basement contained the mammoth trash- and food-storage areas, plus railroad tracks leading to the gondola. The gondola’s cars were removed at night, so that a second crew could run canisters of trash down the mountain, and unpack the food supplies that ran back up. I moved along the decking and peered down: the TV van, complete with chained tires and a hood of snow, was parked by the rear entry. So the crew was here. This was good.

  Melting snowflakes trickled down my cheeks and lips. It would take another ten minutes to struggle downhill to the lower entrance. I retraced my steps past the bistro door to the cafeteria entrance, yanked on all six doors, and finally found one open. Eureka.

  The darkened cafeteria was empty. But at least I was inside the building. There were two ways of looking at Killdeer security, I thought as I readjusted my backpack and made my way to the kitchen entry. With all the locked doors, computerized scanning of lift tickets, and red flags screaming Danger! Run Closed!, you’d think Killdeer was an outpost of the Pentagon. On the other hand, in the last five weeks I had repeatedly seen boundary ropes down, run signs askew, office doors unlocked, and scofflaws ducking lift ticket scanners. Add to this: untended kitchens left open.

&n
bsp; I pushed through the doors and looked around hopefully.

  “Hello?” I called into the gloom. No answer. No Eileen Druckman and Jack Gilkey chopping egg roll ingredients. A single fluorescent bulb cast a pall over the cavernous space. Rows of steel counters lined with cutlery, pans, and bowls, alternated with shelves burgeoning with foodstuffs. My footsteps echoed and reechoed on the metal floor.

  Through the kitchen’s swinging doors, noisy hustling and shouting was suddenly audible. I stripped off my snow-coated jacket and boots, opened my backpack, and slipped into the sneakers I wore for the show. Then I whipped past the walk-in refrigerators and deep sinks and pushed through more swinging doors to the restaurant.

  The glare of TV lights blinded me. Mysteriously, the lights did not diminish the intimate feel of the dining room. Chandeliers elaborately twined with fake deer antlers, stucco walls stenciled with painted ivy, plush forest-green carpeting, a moss-rock fireplace with a glowing hearth—all these gave the bistro the air of a ritzy hideaway. Silk roses and unlit candles topped pristine white damask tablecloths. Along one wall, a blond woman was hanging an arrangement of artworks. Elegant Gourmet Restaurant at Eleven Thousand Feet Above Sea Level? No problem!

  About five and a half feet in height, wearing his usual black shirt and ski pants, Arthur Wakefield tucked his clipboard and ever-present bottle of Pepto-Bismol under his arm and barreled in my direction, leaning forward at an acute angle. His taut, no-nonsense air made him look older than the twenty-nine I knew him to be. The director, Lina, a paraplegic woman who rarely left the production van, I had only met once. She gave her cues to the two cameramen and to Arthur via headsets. I had a full plate dealing with Arthur himself: He worried and complained enough for three people.

  Clean-shaven down to the cleft in his dimpled chin, Arthur wore his ultracurly black hair combed forward, Roman-emperor-style. Dark circles under his eyes made me wonder about the hangover quotient. I braced to hear the latest crises.